It’s a difficult question and one for which Darvin probably never answered point-blank. Because, artist that he was, Darv never put “art” into a box. He could find art in everything and wanted everyone else to share that experience of discovery.
For example, my husband once asked Darv if he would help him design a children’s Christmas coloring contest for the newspaper he edited. Darv very subtly suggested that the traditional Christmas picture of Santa or Christmas scene — meant to be colored by each child — lacked inventiveness and would produce nothing more than a colored picture. Instead, he suggested including a blank page with instructions that each child draw or color a picture of Christmas. It was his way of encouraging youngsters to discover art from their hearts. It worked.
Growing up, our back door was a quick, 30-second jog from the Luginbuhl’s back door. I say back doors because there was no need to use the front door. Darv and my dad, who were on the faculty together at Bluffton University for about 30 years, were often found in the middle of one of their respective gardens or in Darv or Dad’s shop. Their wives — Evelyn and my mom — still share a friendship as close as sisters.
Our house was always filled with various pottery and ceramic items created by Darv. Because his son, Bill, and I were childhood buddies, my Christmas and birthday presents were often a ceramic pot filled with candy. When my husband and I married, my mom asked Darv to make a tea set for us. The gray and blue-glazed teapot and mugs are still in use after nearly 33 years.
So when Darvin died yesterday at age 91, it felt as if a huge piece of this small, Swiss community had gone with him. No more would we hear his cheery, “Vie gehts?” Even in the past few years as he struggled with health issues that interfered with his mobility, that cheerfulness remained intact and conversations were always entertaining.
Little bits and pieces flit through my mind as I thought about Darv’s contributions to life in a small town, as well as to the wider art community. For as much as we knew him as a small-town Swiss boy who produced beautiful pottery and ceramics, the art world knew him as a creator of fine art and a man of great knowledge.
But there are other, more intimate memories — like Darv and Dad calling us home from wherever we were playing. Darv could snap his tongue against the roof of his mouth so loud that we could hear him at the old college track field nearly a quarter mile from home. At the same time, Dad blew through a conch shell, producing a quirky “conch honk” that could be heard just as far away. Who needed cell phones? If we missed one, we’d hear the other.
When we wanted to earn quick spending money, one of them would hire us to dig dandelions. We always went to Darv first because he paid a penny for a dozen and Dad made us fill a whole bushel basket. Or something like that…
Ah Darv, we’re going to miss you. We’ve got pieces of pottery to remind us of your creativity, but more importantly you left us with a passel of memories. Thank you.